1952 born in Washington.
1975 Bachelor of Arts Diploma from Georgetown University
since 1979 in Berlin.
Lives and works since 1990 in Baitz (Brandenburg) and Berlin.
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CV Maubrey (E).pdf
| Sound Sculptures | ||
| 2025 | Obelisk Sonore | Le Mans Sonore Festival, Frankreich |
| 2024 | Liberator | Open Art Biennial, Örebro, Schweden |
| 2023 | Speakers Arena | 24 Hours Neukölln, Berlin |
| 2022 | STREAMERS | Media Art is Here, ZKM Karlsruhe |
| 2022 | ARENA | Passages Insolites Festival, EXMURO, Québec |
| 2022 | STREAMERS: a COVID Sculpture | Kunst im öffentlichen Raum, Wien |
| 2019 | Speakers Arena | Kulturhauptstadtfonds, Berlin |
| 2019 | Obelisk | Intersonanzen Festival, Potsdam |
| 2018 | Obelisk | Cairotronica, Kairo |
| 2018 | Arena | Contemporary Art Forum Kitchener and Area, Kanada |
| 2017 | Field | Interim Festival, Grabenstetten (DE) |
| 2016 | Karaoke Torii | Kamiyama, Japan |
| 2015 | Shrine | Kobe Biennale, Japan |
| 2015 | Audio Guillotine | Brno International Music Festival |
| 2015 | Erratiker | Kunstpflug eV, Baitz |
| 2014 | Gateway | MaerzMusik, Berliner Festspiele |
| 2013 | Audio Igloo | Skulpturenmuseum Glaskasten Marl |
| 2013 | The Cube | Hard Rock Hotel, Palm Springs, CA. |
| 2012 | Temple | Sound Art Exhibition, ZKM Karlsruhe |
| 2013 | Cake | A TRIBUTE TO JOHN CAGE, MuseumsQuartier, Vienna, Tonspur e.V. |
| 2011 | Le Mur Sonore | Festival Accroche-Coeurs, Angers |
| 2010 | Audio Guillotine | MuseumsQuartier Wien |
| 2007 | Audio Suitcases | Schloss Moyland / Beuys Archiv |
| 2004 | Audio Igloo | Singuhr-Hörgalerie, Berlin |
| 2004 | Audio Koffer | Sonoric Atmospheres/ Ostsseebiennale der Klangkunst |
| 1999 | Audio Igloo | Hull Time Based Arts, UK |
| 1991 | Speakers Monument | INTERFERENZEN, Riga |
| 1989 | Speakers Container | Freiburger Kunstverein |
| 1989 | Le Polyphone (Project) | Inventer 89, Avant-Premiere, La Garnde Halle de la Villette. |
| 1987 | Audio Fruhschoppen | Galerie Giannozzo. Berlin. |
| 1986 | Speakers Corner | Artcom Cologne |
| 1985 | The Box, (with H.P. Kuhn), | Berlin AvantGarde in Gasteig, Gasteig Culture Center, Munich. |
| 1985 | Audio Mailboxes | Material & Wirkung eV., Berlin |
| 1983 | Audio Treppenhaus | Kunstraum Projekt Schauplatz, Berlin |
| 1983 | Audio Cafe Installation (with HP Kuhn) | Kunst und Medien, Kunsthalle Berlin (catalog) |
| 1983 | Social Music Installation | Kunst und Medien, Kunsthalle Berlin (catalog) |
| 1983 | Audio Bathtub (with HP Kuhn) | Schauplatz im Kutscherhaus Berlin (catalog) |
| 1983 | Merkurhaus als Glockenturm | Schauplatz/ IBA Vort Ort, Berlin (catalog) |
| 1982 | Audio Painting (with Bernward Meyer) | Gallery No Name, Berlin |
| 1982 | Foreign Artists in Berlin | Kunstquartier Ackerstrasse (catalog). |
| Electroacoustic Performances & Theater | ||
| 2025 | Electronic Guy | Sound Art Festival, Krakau |
| 2016 | Awa Odori 3000 | LED Festival, Tokushima |
| 2012 | Elektroprussians | Intersonanz Festival, Potsdam |
| 2009 | Feedback Fred | NAISA, Toronto |
| 2005 | Electronic Guy Tour | Vancouver / NYC |
| 2003 | High Fidelity | Musiktheater im Revier, Gelsenkirchen |
| 1999 | Audio Ballerinas & Electronic Guys | Theater am Halleschen Ufer, Berlin |
| 1997 | Audio Geishas | Tokyo City Opera House |
| 1993 | Audio Guards | Ultima Festival, Oslo |
| 1986 | Audio Steelworkers | Ars Electronica, Linz |
| Audio Ballerina Performances | ||
| 2025 | Intersonanzen Festival | Potsdam |
| 2021 | Device Art Festival | Zagreb |
| 2016 | „Wired“ Exhibition | Deutsches Technikmuseum Berlin |
| 2014 | MaerzMusik | Berliner Festspiele |
| 2010 | Zero1 Biennale | San Jose |
| 2008 | SESC Mostra de Artes | São Paulo |
| 2006 | SIGGRAPH | Boston |
| 2002 | Hamburger Bahnhof | Berlin |
| 1999 | IDAT Conference | Phoenix |
| 1996 | Triennale di Milano | Mailand |
| 1990 | Arts au Soleil | Lille |
| Awards | ||
| 2018 | Nominierung Participatory Architecture Award, Media Architecture Biennale Beijing | |
| 2017 | 1. Preis HUK – Hacking Urban Furniture, Berlin | |
| 2008 | Marler Video Installation Prize | |
| 2006 | Franklin Furnace Fund for Performance, NYC | |
| 1991 | Prix Ars Electronica – Interactive Art (Audio Ballerinas) | |
| 1983 | 2. Preis „Overcoming the Wall“, Haus am Checkpoint Charlie | |
| Grants & Residencies | ||
| 2018 | Berlin Kulturhauptstadtfonds | |
| 2016 | Stadt Berlin – Neue Musik & Klangkunst | |
| 2011 | DIVA Residency, Aarhus | |
| 2010 | Artist-in-Residence, MuseumsQuartier Wien | |
| 2006 | Composer-in-Residence, Schloss Wiepersdorf | |
| 1999 | Hull Time Based Arts, UK | |
| Publications |
| LEONARDO, Vol.28, No.2, pp.93-97, 1995, Audio Jackets and Other Electroaco-sutic Clothes. |
| KLANG und BEWEGUNG, Berichte aus der Musikwissenschaft, Shaker Verlag ISBN 3-8322-2270-7- |
| TECHNO TEXTILES: Revolutionary Fabrics for Fashion and Design(9780500280966): Sarah E. Braddock, Marie O‘Mahony. |
| SEE YOURSELF SENSING from Madeline Schwartzman, June 2011m Black Dog Publishing, London. |
| PARTICIPATORY SOUND ART, from Vadim Keylin, ISSN 2633-5875 ISSN 2633-5883 Palgrave Studies in Sound ISBN 978-981-99-6356-0 |
| SOUND SCULPTURES (self published), 2025, ISBN 978-3-00-060682-3 |
| Motor Dance Journal, Issue 3 : Groupwork December 2025 ISSN2755-306X February 01 2025 |
| LEONARDO MIT Press Volume 58, Number 1, 2025 Aesthetics and Politics of Participation in Benoît Maubrey’s Speaker |
| Workshops / Guest artist lectures: |
| Oberlin College, Concordia University, Johns Hopkins University, Virginia Commonwealth University, Dresden Academy of Arts , Academy of Arts Enschede, Simon Fraser University, George Washington University. MIT Media Lab, IDEA |